Clarke's The Celtic Tin Whistle Counter Top Display of 24 traditionally lookin Celtic Whistles in the Key of D finished in green with Celtic Knot and each whistle comes attractively boxed with tune sheet and fingering chart. Made in England. Each of the Celtic nations has it's own instrumental tradition and each claim their right to specific instruments. The Scots will assert that the bagpipes are their national property; the Welsh the harp. The Irish claim the Uillean pipes as their own. One instrument played by all, and adopted by all is the Tinwhistle. When Robert Clarke invented the Tinwhistle in 1843, little did he know that it would become the perfect wind instrument to be played universally in all the Celtic lands. It can be heard in concert halls, broadcasts, churches and above all, especially in Ireland, in the pubs. It is easy to learn to play; inexpensive; and can be conveniently carried so as to be available for performances on all occasions.
Each of the Celtic nations has it's own instrumental tradition and each claim their right to specific instruments. The Scots will assert that the bagpipes are their national property; the Welsh the harp. The Irish claim the Uillean pipes as their own. One instrument played by all, and adopted by all is the Tinwhistle. When Robert Clarke invented the Tinwhistle in 1843, little did he know that it would become the perfect wind instrument to be played universally in all the Celtic lands. It can be heard in concert halls, broadcasts, churches and above all, especially in Ireland, in the pubs. It is easy to learn to play; inexpensive; and can be conveniently carried so as to be available for performances on all occasions. Supplied in the key of ‘D’, this traditionally looking CELTIC Tinwhistle is finished in green with Celtic knot logo, comes attractively packaged in a box with tune sheet and fingering chart.
The Original Penny Whistle. The favourite music instrument of distinguished tinwhistle players ever since 1843, this Clarke Tinwhistle can be considered the Stradivarius of tinwhistles. The instrument is still made of tin-plate with a wooden plug in the mouthpiece. Delicate operations still continue to be done by hand and, most importantly, Robert Clarke's traditional conical bore has been retained to give the instrument its unique sound, called “chiff”, and no other tin whistle has the same degree of "chiff" as a Clarke. The tone of the Clarke Tinwhistle is clear and flute-like, but it is also described as "crisp and responsive" by Bill Ochs; and "husky and sensual" by Mary Bergin. All these descriptions add up to "chiff". What Tommy Makem calls, "The great Clarke tone". This is what makes a Clarke Tinwhistle unique. The tin whistle is a simple, traditional musical instrument; ideal for popular and folk music but it is also suitable for a much wider musical repertoire. It is just as good for solo playing as in ensemble with other musical instruments; and can be played by children, youth or adults alike. Robust and easy to care for, the Clarke Tinwhistle has a long life. Play it... enjoy it... and join the millions of fellow musicians who have had their start in music from the famous Clarke Tinwhistle.
The Original Penny Whistle. The favourite music instrument of distinguished tinwhistle players ever since 1843, this Clarke Tinwhistle can be considered the Stradivarius of tinwhistles. The instrument is still made of tin-plate with a wooden plug in the mouthpiece. Delicate operations still continue to be done by hand and, most importantly, Robert Clarke's traditional conical bore has been retained to give the instrument its unique sound, called “chiff”, and no other tin whistle has the same degree of "chiff" as a Clarke. The tone of the Clarke Tinwhistle is clear and flute-like, but it is also described as "crisp and responsive" by Bill Ochs; and "husky and sensual" by Mary Bergin. All these descriptions add up to "chiff". What Tommy Makem calls, "The great Clarke tone". This is what makes a Clarke Tinwhistle unique. The tin whistle is a simple, traditional musical instrument; ideal for popular and folk music but it is also suitable for a much wider musical repertoire. It is just as good for solo playing as in ensemble with other musical instruments; and can be played by children, youth or adults alike. Robust and easy to care for, the Clarke Tinwhistle has a long life. Play it... enjoy it... and join the millions of fellow musicians who have had their start in music from the famous Clarke Tinwhistle.
The Original Penny Whistle. The favourite music instrument of distinguished tinwhistle players ever since 1843, this Clarke Tinwhistle can be considered the Stradivarius of tinwhistles. The instrument is still made of tin-plate with a wooden plug in the mouthpiece. Delicate operations still continue to be done by hand and, most importantly, Robert Clarke's traditional conical bore has been retained to give the instrument its unique sound, called “chiff”, and no other tin whistle has the same degree of "chiff" as a Clarke. The tone of the Clarke Tinwhistle is clear and flute-like, but it is also described as "crisp and responsive" by Bill Ochs; and "husky and sensual" by Mary Bergin. All these descriptions add up to "chiff". What Tommy Makem calls, "The great Clarke tone". This is what makes a Clarke Tinwhistle unique. The tin whistle is a simple, traditional musical instrument; ideal for popular and folk music but it is also suitable for a much wider musical repertoire. It is just as good for solo playing as in ensemble with other musical instruments; and can be played by children, youth or adults alike. Robust and easy to care for, the Clarke Tinwhistle has a long life. Play it... enjoy it... and join the millions of fellow musicians who have had their start in music from the famous Clarke Tinwhistle.
The Original Penny Whistle. The favourite music instrument of distinguished tinwhistle players ever since 1843, this Clarke Tinwhistle can be considered the Stradivarius of tinwhistles. The instrument is still made of tin-plate with a wooden plug in the mouthpiece. Delicate operations still continue to be done by hand and, most importantly, Robert Clarke's traditional conical bore has been retained to give the instrument its unique sound, called “chiff”, and no other tin whistle has the same degree of "chiff" as a Clarke. The tone of the Clarke Tinwhistle is clear and flute-like, but it is also described as "crisp and responsive" by Bill Ochs; and "husky and sensual" by Mary Bergin. All these descriptions add up to "chiff". What Tommy Makem calls, "The great Clarke tone". This is what makes a Clarke Tinwhistle unique. The tin whistle is a simple, traditional musical instrument; ideal for popular and folk music but it is also suitable for a much wider musical repertoire. It is just as good for solo playing as in ensemble with other musical instruments; and can be played by children, youth or adults alike. Robust and easy to care for, the Clarke Tinwhistle has a long life. Play it... enjoy it... and join the millions of fellow musicians who have had their start in music from the famous Clarke Tinwhistle.
The Original Penny Whistle in Counter Top Display of 15 Whistles. The favourite music instrument of distinguished tinwhistle players ever since 1843, this Clarke Tinwhistle can be considered the Stradivarius of tinwhistles. The instrument is still made of tin-plate with a wooden plug in the mouthpiece. Delicate operations still continue to be done by hand and, most importantly, Robert Clarke's traditional conical bore has been retained to give the instrument its unique sound, called “chiff”, and no other tin whistle has the same degree of "chiff" as a Clarke. The tone of the Clarke Tinwhistle is clear and flute-like, but it is also described as "crisp and responsive" by Bill Ochs; and "husky and sensual" by Mary Bergin. All these descriptions add up to "chiff". What Tommy Makem calls, "The great Clarke tone". This is what makes a Clarke Tinwhistle unique. The tin whistle is a simple, traditional musical instrument; ideal for popular and folk music but it is also suitable for a much wider musical repertoire. It is just as good for solo playing as in ensemble with other musical instruments; and can be played by children, youth or adults alike. Robust and easy to care for, the Clarke Tinwhistle has a long life. Play it... enjoy it... and join the millions of fellow musicians who have had their start in music from the famous Clarke Tinwhistle.
Now anyone can learn to play irish jigs and highland flings on the pennywhistle! Follow the simple instructions, listen carefully to the cd and you'll be playing instantly. A specially selected series of folk tunes will guide you through all the basic of pennywhistling one step at a time. Includes 32 Page Book, Meg Whistle and CD. Recommended ages 8 to 80.
Clarke’s Tin whistle special edition to celebrate the 200th anniversary of the birth in 1816 of Robert Clarke, inventor of the Tin Whistle. Available in a special presentation box and in the key of either C or D. Made in England. The first Clarke Tinwhistle was invented in 1843 in a tiny village, Coney Weston, near Bury St. Edmunds, in England. He set up his factory in a shed and soon became a successful manufacturer. He did not trust banks so kept his considerable fortune in golden sovereigns in a bucket in his cellar. He became a very wealthy man and carried his gold coins in a gladstone bag, all from making the instrument that everyone wanted to play.
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